Design and Animation of Playful Supercuts in After Effects
The Second Look (Airbrushed): Fill and Stroke Effects
A course by Santiago Avila , Graphic and Motion Designer
About the video: The Second Look (Airbrushed): Fill and Stroke Effects
Overview
“In this lesson, we will build a second look with a different set of effects. Swapping some noises with the "Blur" effect, I will show you how to build an airbrush-based style with a hazy 2D feel.”
In this video lesson Santiago Avila addresses the topic: The Second Look (Airbrushed): Fill and Stroke Effects, which is part of the Domestika online course: Design and Animation of Playful Supercuts in After Effects. Learn how to create fully-procedural animations from scratch using experimental visual techniques.
Partial transcription of the video
“ The Second Look (Brushstrokes): Fill and Stroke Effects In this lesson, we'll move to the second look of our course. In the first one, we used mostly noise effects. In this one, we'll be using blurs to create a hazy airbrushed look. Let's look at how to do this. We'll start by looking at the strokes for this one. We'll go inside the precomp. The parameter that we'll tweak to generate a difference in the thickness of the stroke will not be a Wiggle Path this time but the Wave modifier of the strokes. You can find the Wave inside any stroke that you add inside a shape layer. We'll modify th...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Design and Animation of Playful Supercuts in After Effects
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Category
3D & Animation -
Areas
2D Animation, Animation, Motion Graphics
Santiago Avila
A course by Santiago Avila
Santiago Avila is an Argentinian motion and graphic designer based in London. He has been working in motion graphics and animation for over a decade, both in-house for companies and as a freelancer. He has contributed to projects that range from film, broadcast, music live visuals, and digital content. This has given him the opportunity to experiment with 2D and 3D animation for both graphic and character-driven storytelling.
He has worked for clients such as Nike, Disney, Coca-Cola, Spotify, Netflix, MTV, Condé Nast, Dell, the History Channel, FOX, ASICS, and BFI. Santiago has also collaborated with artists like Kylie Minogue, Disclosure, London Grammar and Anne-Marie.
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