Design and Animation of Playful Supercuts in After Effects
The First Look (Brushstrokes): Stroke Effects
A course by Santiago Avila , Graphic and Motion Designer
About the video: The First Look (Brushstrokes): Stroke Effects
Overview
“Having achieved the surface treatment of the initial look, the next stage is to treat the edges of the character. We will work with "Wiggle Paths" and "Wave" inside Shape Layers to add duplicates to the existing Stroke Layers. We will then progress to character rigging using the "Roughen Edges" and "Alpha Levels" effects to create a distressed and organic line value.”
In this video lesson Santiago Avila addresses the topic: The First Look (Brushstrokes): Stroke Effects, which is part of the Domestika online course: Design and Animation of Playful Supercuts in After Effects. Learn how to create fully-procedural animations from scratch using experimental visual techniques.
Partial transcription of the video
“ The First Look (Brushstrokes): Stroke Effects We established the fill for our first look. In this lesson, we'll hone in on building the effects rig for the stroke layers using also some shape layers modifiers for this. Between lessons, I added the same Fill effects to the details. You can see that we now have the same effects from the Face applied to the Details. I duplicated the Noise Ref and tweaked the noises slightly so we have more opaque details than the face. The face has more Alpha in it whereas the details will be more opaque. Other than that, it's the same workflow that we used ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Design and Animation of Playful Supercuts in After Effects
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Category
3D & Animation -
Areas
2D Animation, Animation, Motion Graphics

Santiago Avila
A course by Santiago Avila
Santiago Avila is an Argentinian motion and graphic designer based in London. He has been working in motion graphics and animation for over a decade, both in-house for companies and as a freelancer. He has contributed to projects that range from film, broadcast, music live visuals, and digital content. This has given him the opportunity to experiment with 2D and 3D animation for both graphic and character-driven storytelling.
He has worked for clients such as Nike, Disney, Coca-Cola, Spotify, Netflix, MTV, Condé Nast, Dell, the History Channel, FOX, ASICS, and BFI. Santiago has also collaborated with artists like Kylie Minogue, Disclosure, London Grammar and Anne-Marie.
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