Realistic 3D Portraits with ZBrush and KeyShot
Second Phase of Groom 1
A course by Davide Sasselli , 3D Character Modeler
About the video: Second Phase of Groom 1
Overview
“Here instead I will show you how to create the character's eyebrows through the FiberMesh technique on ZBrush.”
In this video lesson Davide Sasselli addresses the topic: Second Phase of Groom 1, which is part of the Domestika online course: Realistic 3D Portraits with ZBrush and KeyShot. Learn the fundamentals of creating lifelike 3D portraits and sculpt a detailed human face with ZBrush, KeyShot, and Photoshop.
Partial transcription of the video
“Second phase of grooming In this lesson, we will see how to create lashes and other parts of our character's groom. Now let's see how to apply the groom to our model. To use the ZBrush FiberMesh, you will need to open the FiberMesh panel which you can find under the Tool menu and from here you have various options to move forward. What I'll show you it's like creating the eyebrows, then the eyebrows. To do this, I advise you to turn down your character's subdivision levels and directly mask the areas where you want to work. I took some references, for example by Clint Eastwood and other ima...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Realistic 3D Portraits with ZBrush and KeyShot
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Category
3D & Animation -
Software
Adobe Photoshop, KeyShot, ZBrush -
Areas
3D, 3D Character Design, 3D Modeling

Davide Sasselli
A course by Davide Sasselli
Davide Sasselli is an Italian 3D character modeler who lives and works in London. Although he originally studied jewelry design, Davide later discovered his passion for 3D and began teaching himself through courses and tutorials until he became fully immersed in the industry.
His expertise in ZBrush and character modeling has opened the doors to collaborations with clients like Framestore, Nexus Studio, and Jellyfish Pictures. He has also worked on projects for films, augmented reality, animated shorts, and video games.
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