Introduction to Photorealism for Oil Painting
Glazing or Layering 1
A course by Christopher Paul Stevens , Studio Artist
Joined July 2020
Joined July 2020
About the video: Glazing or Layering 1
Overview
“Now I will go over the process of glazing the painting. You will see how to cover the definition of “fat over lean” and its benefits to the life of the painting. ”
In this video lesson Christopher Paul Stevens addresses the topic: Glazing or Layering 1, which is part of the Domestika online course: Introduction to Photorealism for Oil Painting. Recreate the effects of photography with brushes and oil paint to create a realistic image on canvas using layering and blocking techniques.
Partial transcription of the video
“So now we've got our final Canvas blocked in, it's completely blocked in. In this lesson, what we're going to focus on now is layering and glazing. and adding some of the small final details that are In the image itself, we're going to add those to the canvas. So first what we're going to do In the beginning, when we first started blocking in, I talked about these lines that are running across the bottom. where the street level is. So we're going to add those now. But there's also a lot of noise that's in here that's on the street. There's lots of little speckles, there's gravel, there's al...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Photorealism for Oil Painting
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting, Realistic Drawing
Christopher Paul Stevens
A course by Christopher Paul Stevens
Christopher Paul Stevens is a contemporary realist painter from Savannah, Georgia. He completed his MFA in painting in 2015. Stevens currently lives in Atlanta, Georgia, where he works full-time out of his studio. His artwork can be seen at galleries in New York, Dublin, Montreal, Portland, and Atlanta, and is featured in the Art Collection at Mercedes-Benz Stadium in Atlanta.
His paintings capture the daily routines of 21st century Americans as they progress through their lives. By translating photographs of ordinary affairs into paintings, Stevens elevates the mundane to the monumental. His current work challenges contemporary expectations of art by exploring the relationship between painting and photography, focusing on pushing the boundaries of photorealism by exploring ways of capturing and manipulating the photograph.
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