Introduction to Photorealism for Oil Painting
Blocking In and Details 3
A course by Christopher Paul Stevens , Studio Artist
Joined July 2020
Joined July 2020
About the video: Blocking In and Details 3
Overview
“I will continue giving you tips and tricks to keep painting. You will see how I move on my color palette to create the colors I need. Besides, you will also see how I paint to take care of light and shadows! ”
In this video lesson Christopher Paul Stevens addresses the topic: Blocking In and Details 3, which is part of the Domestika online course: Introduction to Photorealism for Oil Painting. Recreate the effects of photography with brushes and oil paint to create a realistic image on canvas using layering and blocking techniques.
Partial transcription of the video
“Now we're just gonna put put in these shadows to separate them from each other. It's just so we know where each item begins and ends. So I'm just looking for this dark tone that's here. I'm going to use the longer liner. the longer liner is much easier to paint longer lines as opposed to Our short liner is really good about getting into those small little nooks and crannies that like we were using around the fire hydrant here. But for a little bit longer line, we're going to use this longer liner. I just want to have a distinction of where Each bag begins and ends where they lean up against...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Photorealism for Oil Painting
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting, Realistic Drawing
Christopher Paul Stevens
A course by Christopher Paul Stevens
Christopher Paul Stevens is a contemporary realist painter from Savannah, Georgia. He completed his MFA in painting in 2015. Stevens currently lives in Atlanta, Georgia, where he works full-time out of his studio. His artwork can be seen at galleries in New York, Dublin, Montreal, Portland, and Atlanta, and is featured in the Art Collection at Mercedes-Benz Stadium in Atlanta.
His paintings capture the daily routines of 21st century Americans as they progress through their lives. By translating photographs of ordinary affairs into paintings, Stevens elevates the mundane to the monumental. His current work challenges contemporary expectations of art by exploring the relationship between painting and photography, focusing on pushing the boundaries of photorealism by exploring ways of capturing and manipulating the photograph.
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