Introduction to Photorealism for Oil Painting
Color: Mix and Match
A course by Christopher Paul Stevens , Studio Artist
Joined July 2020
About the video: Color: Mix and Match
Overview
“Finally, I will talk about how I lay out my studio. You will then learn to add pigment to the palette to begin mixing the colors you will need. Also, you will learn to match the colors as good as possible to source your image. ”
In this video lesson Christopher Paul Stevens addresses the topic: Color: Mix and Match, which is part of the Domestika online course: Introduction to Photorealism for Oil Painting. Recreate the effects of photography with brushes and oil paint to create a realistic image on canvas using layering and blocking techniques.
Partial transcription of the video
“So now we've toned our canvas and in this lesson we're going to mix and match our colors. One of the things that I want you to keep in mind when we're mixing and matching our colors. is try to get as close as you can to the color that's on your reference image. It doesn't have to be perfect. I want to reiterate that it doesn't have to be perfect what we're going for here. Is the essence of what we see. All right. So just keep that in mind. Quickly we'll go over our supplies again. jar of odorless mineral spirits. We've got all of our pigments. I'm going to use my iPad. for my reference imag...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Photorealism for Oil Painting
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting, Realistic Drawing

Christopher Paul Stevens
A course by Christopher Paul Stevens
Christopher Paul Stevens is a contemporary realist painter from Savannah, Georgia. He completed his MFA in painting in 2015. Stevens currently lives in Atlanta, Georgia, where he works full-time out of his studio. His artwork can be seen at galleries in New York, Dublin, Montreal, Portland, and Atlanta, and is featured in the Art Collection at Mercedes-Benz Stadium in Atlanta.
His paintings capture the daily routines of 21st century Americans as they progress through their lives. By translating photographs of ordinary affairs into paintings, Stevens elevates the mundane to the monumental. His current work challenges contemporary expectations of art by exploring the relationship between painting and photography, focusing on pushing the boundaries of photorealism by exploring ways of capturing and manipulating the photograph.
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