Introduction to Photorealism for Oil Painting
Blocking In and Details 2
A course by Christopher Paul Stevens , Studio Artist
Joined July 2020
Joined July 2020
About the video: Blocking In and Details 2
Overview
“You will continue learning how to finish filling the pavement, which is the first section. Next, I will show you how to fill in shapes, but without going into details. ”
In this video lesson Christopher Paul Stevens addresses the topic: Blocking In and Details 2, which is part of the Domestika online course: Introduction to Photorealism for Oil Painting. Recreate the effects of photography with brushes and oil paint to create a realistic image on canvas using layering and blocking techniques.
Partial transcription of the video
“So as I was working, I noticed that I moved up a little bit too high where the street meets the curb. So I've gone ahead and extended this portion here, this gray line that's here. And then we're going to focus on now that curve. So like I was saying over here on the left, We've got a gray and then it moves into almost a reddish brown. So again, we can just introduce that color here. We've got our gray. and I'm just going right on top of the light gray that was there. darken this up a little bit since there's a lighter color underneath. and they'll just blend together Add that color. All ri...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Photorealism for Oil Painting
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting, Realistic Drawing
Christopher Paul Stevens
A course by Christopher Paul Stevens
Christopher Paul Stevens is a contemporary realist painter from Savannah, Georgia. He completed his MFA in painting in 2015. Stevens currently lives in Atlanta, Georgia, where he works full-time out of his studio. His artwork can be seen at galleries in New York, Dublin, Montreal, Portland, and Atlanta, and is featured in the Art Collection at Mercedes-Benz Stadium in Atlanta.
His paintings capture the daily routines of 21st century Americans as they progress through their lives. By translating photographs of ordinary affairs into paintings, Stevens elevates the mundane to the monumental. His current work challenges contemporary expectations of art by exploring the relationship between painting and photography, focusing on pushing the boundaries of photorealism by exploring ways of capturing and manipulating the photograph.
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