Embroidery and Color: Create Textile Landscapes
Maintenance and darning
A course by Célia Bruneau , Embroidery Artist
About the video: Maintenance and darning
Overview
“First of all, we will see how to preserve an embroidery and maintain it. I will also show you two examples of addicts and explain a method to fix them.”
In this video lesson Célia Bruneau addresses the topic: Maintenance and darning, which is part of the Domestika online course: Embroidery and Color: Create Textile Landscapes. Learn to embroider with different colors and stitches to make a decorative cushion or other textile piece inspired by a natural landscape.
Partial transcription of the video
“Maintenance and darning In this lesson I will explain how to mend your embroidery and keep it over time. The maintenance of an embroidery is like that of a delicate garment. She does not like regular snags and rubbing. Nevertheless, the embroidery is easily darned. We will see it with two examples. As a first example, I will tell you about the case where the thread is distended at the place of embroidery. To show you how to do it, I took my sample on which I showed you the essential stitches for embroidery. I'm going to come and pull a thread on my flat satin stitch. As you can see, I pulle...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Embroidery and Color: Create Textile Landscapes
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Category
Craft -
Areas
Accessory Design, Arts & Crafts, Embroidery, Interior Decoration, Sewing, Textile Design, Traditional illustration

Célia Bruneau
A course by Célia Bruneau
A trained stylist, Célia Bruneau is an artist who is inspired by natural environments, and her approach to embroidery is intuitive and spontaneous. She lived in Paris for nine years before leaving to travel the world, and now creates hand-embroidered pieces full of color and softness in Paris, the countryside, and beyond.
She makes custom pieces and has collaborated with ICICLE and Combo Magazine. She has also appeared in the likes of ELLE and Konbini.
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