Embroidery and Color: Create Textile Landscapes
The knot point
A course by Célia Bruneau , Embroidery Artist
About the video: The knot point
Overview
“You will see here how to embroider the point of node: an isolated point and in relief. I like to use this point to symbolize flowers or small reliefs in a landscape, for example.”
In this video lesson Célia Bruneau addresses the topic: The knot point, which is part of the Domestika online course: Embroidery and Color: Create Textile Landscapes. Learn to embroider with different colors and stitches to make a decorative cushion or other textile piece inspired by a natural landscape.
Partial transcription of the video
“The knot point In this lesson, I'm going to show you how to make the french knot. The knot point is an isolated point, in relief, which can be used alone for details or in accumulation to create materials. Here, I did not draw on my canvas to make it. I will do it randomly. In my embroideries, I like to use this stitch to symbolize flowers, pebbles or other details. As for the previous points, I prepared my needle with four strands. So I'll pass my needle to the back of my drum to make my first point. There, my thread is perhaps a little too long to explain to you. I'll cut it a little. So ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Embroidery and Color: Create Textile Landscapes
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Category
Craft -
Areas
Accessory Design, Arts & Crafts, Embroidery, Interior Decoration, Sewing, Textile Design, Traditional illustration
Célia Bruneau
A course by Célia Bruneau
A trained stylist, Célia Bruneau is an artist who is inspired by natural environments, and her approach to embroidery is intuitive and spontaneous. She lived in Paris for nine years before leaving to travel the world, and now creates hand-embroidered pieces full of color and softness in Paris, the countryside, and beyond.
She makes custom pieces and has collaborated with ICICLE and Combo Magazine. She has also appeared in the likes of ELLE and Konbini.
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