Wooden Automata: Bring Sculptures to Life with Movement
Construction of the First Part of the Mechanism
A course by Eduardo Salzane , Artist
About the video: Construction of the First Part of the Mechanism
Overview
“Here you will see how to define the positions of the holes through which the axes will pass to build a part of the mechanism that includes the two axes of the project.”
In this video lesson Eduardo Salzane addresses the topic: Construction of the First Part of the Mechanism, which is part of the Domestika online course: Wooden Automata: Bring Sculptures to Life with Movement. Learn simple tools and techniques to build unique moving sculptures.
Partial transcription of the video
“Building the First Part of the Mechanism Now that we have the base of our automaton, and the waves that we’ll make the sea, let's define where we’ll drill holes. On the drawing, we can see where they will be. One of them will receive the straight axis, which will support all the waves on one end. That hole will be on one of the sides and there will be another one on the opposite end. The second hole will be positioned differently, but will also have the same position on the other end of the base. All the waves will have a hole in one of their ends. The first hole will have a straight axis t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Wooden Automata: Bring Sculptures to Life with Movement
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Category
Craft -
Areas
Art Toys, Character Design, Sculpture, Toy Design, Woodworking

Eduardo Salzane
A course by Eduardo Salzane
Graduated in social communication from Unesp, artist Eduardo Salzane has already worked with authorial photography, puppet theater and some circus modalities before specializing in the universe of automatons — sculptures that move from a crank.
He has given workshops at different institutions throughout Brazil and his works have been exhibited in several galleries in the interior of São Paulo and at the Ecomuseum of Itaipu, in Foz do Iguaçu. Currently, he develops his work with reused wood and creates a universe of poetry in motion in each of his pieces.
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