Classical Portrait Drawing: The Renaissance Man’s Method
Preservation
A course by Michele Bajona , Contemporary Figurative Artist
About the video: Preservation
Overview
“The preservation of a work of art starts with the materials that we use when we are drawing. That's why I am going to remind you how to pick the right drawing materials and show you how to properly store or frame your final work.”
In this video lesson Michele Bajona addresses the topic: Preservation, which is part of the Domestika online course: Classical Portrait Drawing: The Renaissance Man’s Method. Learn to cultivate active curiosity while exploring Leonardo da Vinci’s drawing techniques to create a classical portrait drawing with materials used in the Renaissance era.
Partial transcription of the video
“Preservation In this lesson, I'm going to teach you about the preservation of your work. When we need to preserve our work on paper, the first important material we need to care about is the support on which we draw into. So if our support is pulp paper, we're pretty sure that this drawing is going to last for a long time but it might not last the test of time. For our drawing to last the test of time, we definitely should use stronger fibers such as cotton and linen. Cotton paper is readily available. It can be found in blocks, they are in bigger sheets. This is a quarter of a sheet and it...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Classical Portrait Drawing: The Renaissance Man’s Method
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Category
Illustration -
Areas
Artistic Drawing, Drawing, Fine Arts, Portrait Drawing, Realistic Drawing, Sketching
Michele Bajona
A course by Michele Bajona
Michele Bajona is an architect-turned-painter whose artwork has been exhibited throughout America and Europe. He attended the Art Student League in New York City and is a member of Cercle Artístic de Sant Lluc in Barcelona. He currently resides in Mexico City, where he continues to paint and teaches art. He has given masterclasses at Museums and cultural institutions.
In addition to solo and collective exhibitions across the globe, he won the first prize for best video documentary at the 54th Venice Art Biennial, Padiglione Italia.
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