Classical Portrait Drawing: The Renaissance Man’s Method
Support Preparation 1
A course by Michele Bajona , Contemporary Figurative Artist
About the video: Support Preparation 1
Overview
“Let’s start preparing our supports in order to be able to draw just like Leonardo used to. For this, we have to use some of the materials described in the previous lesson. Let’s see how they work on paper!”
In this video lesson Michele Bajona addresses the topic: Support Preparation 1, which is part of the Domestika online course: Classical Portrait Drawing: The Renaissance Man’s Method. Learn to cultivate active curiosity while exploring Leonardo da Vinci’s drawing techniques to create a classical portrait drawing with materials used in the Renaissance era.
Partial transcription of the video
“Support Preparation This lesson is about support preparation and we're going to prepare a piece of paper the way Leonardo would've done with the materials of his time. Let's start with a half-size sheet of paper. This is cotton paper. This is the kind of paper Leonardo would've used. We know it lasts the test of time because we have drawings from Leonardo that are more than 500 years old. We can now proceed to part this big piece of paper in two. In order to do that, I like to do it manually and not use any tool. What I do is I fold the paper in two, and I pass my finger a few times on the ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Classical Portrait Drawing: The Renaissance Man’s Method
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Category
Illustration -
Areas
Artistic Drawing, Drawing, Fine Arts, Portrait Drawing, Realistic Drawing, Sketching

Michele Bajona
A course by Michele Bajona
Michele Bajona is an architect-turned-painter whose artwork has been exhibited throughout America and Europe. He attended the Art Student League in New York City and is a member of Cercle Artístic de Sant Lluc in Barcelona. He currently resides in Mexico City, where he continues to paint and teaches art. He has given masterclasses at Museums and cultural institutions.
In addition to solo and collective exhibitions across the globe, he won the first prize for best video documentary at the 54th Venice Art Biennial, Padiglione Italia.
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