Classical Portrait Drawing: The Renaissance Man’s Method
Support Preparation 2
A course by Michele Bajona , Contemporary Figurative Artist
About the video: Support Preparation 2
Overview
“Now, we are going to see how to work with colors and how to create watercolors for our drawings. We will also see the rest of the tools and materials.”
In this video lesson Michele Bajona addresses the topic: Support Preparation 2, which is part of the Domestika online course: Classical Portrait Drawing: The Renaissance Man’s Method. Learn to cultivate active curiosity while exploring Leonardo da Vinci’s drawing techniques to create a classical portrait drawing with materials used in the Renaissance era.
Partial transcription of the video
“Support Preparation We know for sure that Leonardo da Vinci was using watercolors. He used them in many different drawings but especially, in his cartography drawings. So he will use probably more blue tones with his watercolors. We're going to use Italian Raw Umber instead, which is an earthy pigment, which comes from iron oxide and we're going to put it on the plate, just like that. I'm going to add Arabic gum to it. This has a little bit of glycerin added to it. It's a preparation from Rublev Natural Pigments. As you can see, the natural pigment doesn't like the binder, so you might want...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Classical Portrait Drawing: The Renaissance Man’s Method
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Category
Illustration -
Areas
Artistic Drawing, Drawing, Fine Arts, Portrait Drawing, Realistic Drawing, Sketching

Michele Bajona
A course by Michele Bajona
Michele Bajona is an architect-turned-painter whose artwork has been exhibited throughout America and Europe. He attended the Art Student League in New York City and is a member of Cercle Artístic de Sant Lluc in Barcelona. He currently resides in Mexico City, where he continues to paint and teaches art. He has given masterclasses at Museums and cultural institutions.
In addition to solo and collective exhibitions across the globe, he won the first prize for best video documentary at the 54th Venice Art Biennial, Padiglione Italia.
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