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Naturalist Animal Illustration with Procreate

Tips for scales

A course by Román García Mora , Illustrator and 3D Modeler

Best seller

99% positive reviews (381)

15,233 students

Audio: Spanish, English

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About the video: Tips for scales

Overview

“This is an extra addition to the previous lesson with some tips on scales.”

In this video lesson Román García Mora addresses the topic: Tips for scales, which is part of the Domestika online course: Naturalist Animal Illustration with Procreate. Learn how to illustrate the animal world in detail from your iPad and divulge it visually.

Partial transcription of the video

“TIPS FOR SCALES Reference Study We're adding a little extra to the original course to show you how you can draw different textures on a flat surface and then, use them in different ways. This is a method that many of you were interested in and I want to show it in more detail. It's not the technique that I use to make scales. I overlay photo textures like I taught you or I draw the texture to adjust the volume of the animal. The first step to start an illustration is to study the references for the type of scale you want to make. Because the scaly skin of an elephant isn't the same, on the ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Naturalist Animal Illustration with Procreate

Level: Beginner
99% positive reviews (381)
15233 students
5 units
20 lessons (3h 30m)
10 downloads

Category
Illustration
Software
Procreate
Areas
Digital Illustration, Naturalistic Illustration, Realistic Drawing, Traditional illustration

Román García Mora

A course by Román García Mora

Teacher Plus

Illustrator and 3D Modeler

Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.

His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.