Naturalist Animal Illustration with Procreate
Composition of the image
A course by Román García Mora , Illustrator and 3D Modeler
About the video: Composition of the image
Overview
“In this lesson we will learn to use composition to guide the viewer through our image and thus visually tell the characteristics of our animal. To do this, we will use miniature sketches that will help us explore different options to define our focus and lighting schemes that help tell our story. ”
In this video lesson Román García Mora addresses the topic: Composition of the image, which is part of the Domestika online course: Naturalist Animal Illustration with Procreate. Learn how to illustrate the animal world in detail from your iPad and divulge it visually.
Partial transcription of the video
“IMAGE COMPOSITION I'll teach you how to use composition to guide the viewer's eye and tell a story. The story will help tell what the animal is like. The best option to explore composition options is to make miniature sketches. Doing so will make it easier to explore what the illustration will be like, and since they're small, we won't go into details that might distract us. Using this tool, we'll see different composition options for my Iberian wolf. I'll define proportions of the final image creating a new document, in this case, I'll use 6,000 by 4,500 pixels. I'll start by filling in th...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Naturalist Animal Illustration with Procreate
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Category
Illustration -
Software
Procreate -
Areas
Digital Illustration, Naturalistic Illustration, Realistic Drawing, Traditional illustration

Román García Mora
A course by Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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