Oil Painting Techniques Specialization

Course summary

• M1: Introduction and Influences

  • Introduction

  • Influences / Daphne Frizzle

  • Influences / Jane French

  • Influences / Christopher Paul Stevens

  • Influences / Anetta Lukjanova

  • Influences / Paul Neberra

  • Influences / Nikolas Antoniou

• M2: Painting and Sketching: A Beginner’s Guide

  • Materials

  • Gathering Inspiration

  • Composition Basics

  • Understanding the Underpainting

  • The Stain

  • Sketching With Line

  • Sketching With Value

  • Color Theory and Pre-Mixing Your Palette 1

  • Color Theory and Pre-Mixing Your Palette 2

  • Adjacent Color Comparison 1

  • Adjacent Color Comparison 2

  • Adjacent Color Comparison 3

  • Adjacent Color Comparison 4

  • Adjacent Color Comparison 5

  • Creative Problem Solving

  • Final Adjustments and Stepping Back

• M3: Portrait Painting with Oil: Explore Light and Shade

  • Materials and the Equipment

  • Mixing and Applying Oil Paint

  • Tonal Values: Painting a Simple Object In Monochrome

  • Colour Mixing: Painting a Simple Object in Full Colour 1

  • Colour Mixing: Painting a Simple Object in Full Colour 2

  • The Reference Image

  • Preparing the Painting Surface and Drawing

  • Pre-mixing Skin Tones and Painting the Dark Areas 1

  • Pre-mixing Skin Tones and Painting the Dark Areas 2

  • Blocking in Mid-Tones and Light Values 1

  • Blocking in Mid-Tones and Light Values 2

  • Adding Highlights and Final Details 1

  • Adding Highlights and Final Details 2

  • Working on a Series and Developing Your Practice

  • Promoting Yourself and Your Work

• M4: Introduction to Photorealism for Oil Painting

  • Materials

  • Choosing a Subject

  • The Illusion of Depth and Thinking in 3D

  • The Grid 1

  • The Grid 2

  • Toning the Canvas

  • Color: Mix and Match

  • Blocking In and Details 1

  • Blocking In and Details 2

  • Blocking In and Details 3

  • Blocking In and Details 4

  • Blocking In and Details 5

  • Glazing or Layering 1

  • Glazing or Layering 2

  • Varnish

  • Show Your Work

• M5: Expressive Oil Portrait Painting: Color and Gesture

  • Materials

  • Basic Head Structure and Lighting

  • Gestures in Portraiture

  • Color Theory

  • Breaking the Stillness 1

  • Breaking the Stillness 2

  • First Sketch

  • Starting the Underpainting

  • Keying the Values

  • Sculpting the Volume

  • Value and Saturation Relationships

  • Finishing Touches

  • Different Ways to Challenge Your Palette

  • Final Tips on Expressive Mark Making

• M6: Oil Painting: Create Surreal Landscapes

  • Materials

  • Mixing Medium and First Brush Strokes

  • Eye Study

  • Landscape Study

  • Preparing the Canvas

  • Getting Ready

  • Underpainting

  • Painting the Eye 1

  • Painting the Eye 2

  • Merging the Eye With the Sky 1

  • Merging the Eye With the Sky 2

  • Finishing the Landscape 1

  • Finishing the Landscape 2

  • Final Details 1

  • Final Details 2

  • Varnishing

• M7: Experimental Portraiture: Fusing Oil, Acrylic, and Spray Paint

  • Portraits That Reflect Emotion

  • Materials

  • Brushes and Spray Paint 1

  • Brushes and Spray Paint 2

  • Creating Light with White Spirit

  • How to Choose the Right Reference Image

  • Synthesis 1

  • Synthesis 2

  • The Power of Colors

  • Preparing Our Canvas

  • Create the Grid

  • Shadow Layers

  • Creating Accidents and Using Colors 1

  • Creating Accidents and Using Colors 2

  • Adding Elements to Make Our Work Stand Out

  • Deciding When to Stop

Recent projects

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