Script Writing for Movies and Television
Managing the script folder
A course by Julio Rojas , Screenwriter and Author
About the video: Managing the script folder
Overview
“Now that we have the script folder complete, I will show you how I manage the creative process with it. You will see how useful it can be!”
In this video lesson Julio Rojas addresses the topic: Managing the script folder, which is part of the Domestika online course: Script Writing for Movies and Television. Discover a creative method to start telling your audiovisual stories.
Partial transcription of the video
“In this unit. i will explain my approach for managing a full script folder and working with scripts. You might remember that initially in the course. your script folder serves as a personal development notebook where you keep track of your progress without sharing it with others. not marketed. not printed. not shown. It's a notebook for the screenwriter. including all the terminology they use and draft notes. The key is comprehension. it might include draft notes. The crucial aspect is that the screenwriter comprehends the content and They're developing a system that just encountered an eve...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Script Writing for Movies and Television
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Photography & Video, Writing -
Areas
Creative Writing, Fiction Writing, Film, Video & TV, Filmmaking, Narrative, Script, TV, Writing
Julio Rojas
A course by Julio Rojas
Julio Rojas is a dentist by trade, which may be hard to believe given that he has devoted over two decades of his life to screenplays and writing. He has worked as a professor at major universities and film schools like the EICTV in Cuba, where he's been teaching the advanced screenwriting course for fifteen years. Julio has also worked as a fiction content director for free-to-air TV channels and audiovisual producers.
His most prominent work includes feature films like Sábado(Rainer Werner Fassbinder Award), La vida de los peces (2012 Goya winner), and La memoria del agua (selected for Venice Days at the 2016 Venice Film Festival). In addition to screenplays, Julio just published his first novel, a historical crime thriller titled El visitante extranjero (The Foreign Visitor), through Penguin Random House.
His Spotify podcast series CASO 32, listed by The New York Times as one of the best audio fictions of 2020, has been remade in various languages as well as categorized as the most-listened-to Spanish-language audio fiction in the world.
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