Script Writing for Movies and Television
The broken arrow: Vectors
A course by Julio Rojas , Screenwriter and Author
About the video: The broken arrow: Vectors
Overview
“In this lesson I will talk about the conflict ; the most important dynamic of the script. You will also learn about concepts such as dramatic progress vectors , barriers and objectives . ”
In this video lesson Julio Rojas addresses the topic: The broken arrow: Vectors, which is part of the Domestika online course: Script Writing for Movies and Television. Discover a creative method to start telling your audiovisual stories.
Partial transcription of the video
“The Broken Arrows: Vectors In this lesson, you'll learn about the relationship between implants, character, and physical universe, and the lines of force interacting between them. I call it "the broken arrow." Let's analyze these vectors, the obstacles and conflicts that result from these clashes. The vectors, obstacles, and conflicts can be explained through a dramatic progression line moving from a point in the past to a point in the future. The character describes a vector, which is a line in time, which we're calling dramatic progression vector, the one the character will follow until t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Script Writing for Movies and Television
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Category
Photography & Video, Writing -
Areas
Creative Writing, Fiction Writing, Film, Video & TV, Filmmaking, Narrative, Script, TV, Writing

Julio Rojas
A course by Julio Rojas
Julio Rojas is a dentist by trade, which may be hard to believe given that he has devoted over two decades of his life to screenplays and writing. He has worked as a professor at major universities and film schools like the EICTV in Cuba, where he's been teaching the advanced screenwriting course for fifteen years. Julio has also worked as a fiction content director for free-to-air TV channels and audiovisual producers.
His most prominent work includes feature films like Sábado(Rainer Werner Fassbinder Award), La vida de los peces (2012 Goya winner), and La memoria del agua (selected for Venice Days at the 2016 Venice Film Festival). In addition to screenplays, Julio just published his first novel, a historical crime thriller titled El visitante extranjero (The Foreign Visitor), through Penguin Random House.
His Spotify podcast series CASO 32, listed by The New York Times as one of the best audio fictions of 2020, has been remade in various languages as well as categorized as the most-listened-to Spanish-language audio fiction in the world.
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