Script Writing for Movies and Television
Narrative objects
A course by Julio Rojas , Screenwriter and Author
About the video: Narrative objects
Overview
“I will teach you the importance of the objects in the script, and how these almost invisible little elements are important carriers of narrative information.”
In this video lesson Julio Rojas addresses the topic: Narrative objects, which is part of the Domestika online course: Script Writing for Movies and Television. Discover a creative method to start telling your audiovisual stories.
Partial transcription of the video
“In this lesson. i'll discuss implants and the interaction of objects with script elements in detail. Let's recall that a script system has a physical universe characters Implants and lines of action moving back and forth create coherence in the system. These implants the third crucial element in our narrative triangle. following established patterns to ensure unity and Classifying small objects manipulable by the character. But why focus on small objects specifically? If a character could fit inside an implant. it would meet the criteria of the physical universe's structure. the implant by ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Script Writing for Movies and Television
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Category
Photography & Video, Writing -
Areas
Creative Writing, Fiction Writing, Film, Video & TV, Filmmaking, Narrative, Script, TV, Writing
Julio Rojas
A course by Julio Rojas
Julio Rojas is a dentist by trade, which may be hard to believe given that he has devoted over two decades of his life to screenplays and writing. He has worked as a professor at major universities and film schools like the EICTV in Cuba, where he's been teaching the advanced screenwriting course for fifteen years. Julio has also worked as a fiction content director for free-to-air TV channels and audiovisual producers.
His most prominent work includes feature films like Sábado(Rainer Werner Fassbinder Award), La vida de los peces (2012 Goya winner), and La memoria del agua (selected for Venice Days at the 2016 Venice Film Festival). In addition to screenplays, Julio just published his first novel, a historical crime thriller titled El visitante extranjero (The Foreign Visitor), through Penguin Random House.
His Spotify podcast series CASO 32, listed by The New York Times as one of the best audio fictions of 2020, has been remade in various languages as well as categorized as the most-listened-to Spanish-language audio fiction in the world.
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