Introduction to Digital Compositing in Post-production

Integración de color (parte 2)

A course by Juan Olivares , Digital VFX Composer

97% positive reviews (103)

3,049 students

Audio: Spanish

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About the video: Integración de color (parte 2)

Overview

“In this lesson I will make the final integration, matching the colors of the different elements. For this, I will teach you the theoretical concepts about color.”

In this video lesson Juan Olivares addresses the topic: Integración de color (parte 2), which is part of the Domestika online course: Introduction to Digital Compositing in Post-production. Learn fundamentals and basic techniques to create a VFX shot with Nuke.

Partial transcription of the video

“And now we are going to take the values of the White Point to 023. We are going to sample the whitest zone. This more or less we are going to look. And we will bring those values where appropriate, to 023. Then at White Point we to also open the values and the red channel will bring this to 0-023. The green at 027 and the blue at 030. And my image already looks much more integrated than it was at the beginning. Then what we are going to do with the Color Correct is that we are going to adjust the halftones, the shadows and the high tones and we will also modify a bit of saturation too. Then...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Introduction to Digital Compositing in Post-production

Level: Beginner
97% positive reviews (103)
3049 students
4 units
22 lessons (5h 36m)
8 downloads

Category
3D & Animation
Software
Adobe After Effects, Nuke
Areas
3D, Audiovisual Post-production, Film, Video & TV, Photography Post-production, VFX

Juan Olivares

A course by Juan Olivares

Teacher Plus

Digital VFX Composer

Juan Olivares is a specialist in digital composition and visual effects. His beginnings in the audiovisual world were in Buenos Aires (Argentina) working for television commercials, where he later made his big leap into the world of visual effects with the Oscar-winning film The Secret in Their Eyes.

He worked on innumerable Argentine productions before moving to Vancouver, Canada, where he worked in houses specializing in visual effects such as The Embassy, Zoic, and Digital Domain, with which he was able to participate in Hollywood productions such as Deadpool, Arrow, and Furious 7. Then, he crossed the ocean, this time to London, United Kingdom, where he worked at the Framestore house for the film Guardians of the Galaxy.

He is currently in Chile, his native country, where he founded a visual-effects boutique specializing in characters and creatures, called Grumpy VFX, where he is a composer and visual-effects supervisor.