Introduction to Digital Compositing in Post-production
Preparation of the plan (part 2)
A course by Juan Olivares , Digital VFX Composer
About the video: Preparation of the plan (part 2)
Overview
“In this lesson, we will adapt our sketch to what we have recorded and we will enter fully to produce our plan. I will teach you about cuts and rotoscoping (trimming or masking moving objects). I will also show you how to deal with the trimming of complex things.”
In this video lesson Juan Olivares addresses the topic: Preparation of the plan (part 2), which is part of the Domestika online course: Introduction to Digital Compositing in Post-production. Learn fundamentals and basic techniques to create a VFX shot with Nuke.
Partial transcription of the video
“In Nuke, we are adding "Merge on" images. And the tree is built down. So, at the end of my tree, Only now, if I want to redo this composition, I have to follow the process down to render the image There is a node called "write". Notice that the "read" to read images, and "write" is for writing images. The process is a bit more cumbersome in Nuke, but once they get to know him, They will understand one. So, in "write" I have the space to tell you where I want to save my render, here. I have to write the name, "test.mov", we are going to assume that we are going to redo a ".mov", a QuickTime,...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Digital Compositing in Post-production
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Category
3D & Animation -
Software
Adobe After Effects, Nuke -
Areas
3D, Audiovisual Post-production, Film, Video & TV, Photography Post-production, VFX
Juan Olivares
A course by Juan Olivares
Juan Olivares is a specialist in digital composition and visual effects. His beginnings in the audiovisual world were in Buenos Aires (Argentina) working for television commercials, where he later made his big leap into the world of visual effects with the Oscar-winning film The Secret in Their Eyes.
He worked on innumerable Argentine productions before moving to Vancouver, Canada, where he worked in houses specializing in visual effects such as The Embassy, Zoic, and Digital Domain, with which he was able to participate in Hollywood productions such as Deadpool, Arrow, and Furious 7. Then, he crossed the ocean, this time to London, United Kingdom, where he worked at the Framestore house for the film Guardians of the Galaxy.
He is currently in Chile, his native country, where he founded a visual-effects boutique specializing in characters and creatures, called Grumpy VFX, where he is a composer and visual-effects supervisor.
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- Audio: Spanish
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- Level: Beginner
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Adobe After Effects
Nuke
