Introduction to Digital Compositing in Post-production
Course final project
A course by Juan Olivares , Digital VFX Composer
About the final project for: Introduction to Digital Compositing in Post-production
Introduction to digital composition in post-production
“Well, we have reached the end of the course. I hope you have learned all the processes involved in creating a visual effects plane, from the idea to its final realization. I hope this course has been very useful for you and that you can apply this knowledge in your own productions. I will try as much as possible to be attentive to the forum to answer your questions. I look forward to seeing your version of the final project in the forum!”
Partial transcription of the video
“We have reached the end of the course. If you didn't know anything about composition, I hope this course has given you at least First lights on what the composition is. And if you were already in the world of visual effects, I hope you have also served one or another type. We will review the main contents We saw during the course. First, I introduced myself and showed you who I am. Also, I showed you my influences and the movies that have inspired me throughout my career. We got to know what digital composition is. We did a brief historical review of the technique and we start looking for r...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Digital Compositing in Post-production
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Category
3D & Animation -
Software
Adobe After Effects, Nuke -
Areas
3D, Audiovisual Post-production, Film, Video & TV, Photography Post-production, VFX

Juan Olivares
A course by Juan Olivares
Juan Olivares is a specialist in digital composition and visual effects. His beginnings in the audiovisual world were in Buenos Aires (Argentina) working for television commercials, where he later made his big leap into the world of visual effects with the Oscar-winning film The Secret in Their Eyes.
He worked on innumerable Argentine productions before moving to Vancouver, Canada, where he worked in houses specializing in visual effects such as The Embassy, Zoic, and Digital Domain, with which he was able to participate in Hollywood productions such as Deadpool, Arrow, and Furious 7. Then, he crossed the ocean, this time to London, United Kingdom, where he worked at the Framestore house for the film Guardians of the Galaxy.
He is currently in Chile, his native country, where he founded a visual-effects boutique specializing in characters and creatures, called Grumpy VFX, where he is a composer and visual-effects supervisor.
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