Introduction to Digital Compositing in Post-production

2D Tracking (part 3)

A course by Juan Olivares , Digital VFX Composer

Learn fundamentals and basic techniques to create a VFX shot with Nuke

Spanish with subtitles in English
97% positive reviews (100)
2692 students

About the video: 2D Tracking (part 3)

Overview

“In this lesson, I will show you the most basic object tracking technique, 2D Tracking. I will also teach you the basics of Planar Tracking.”

In this video lesson Juan Olivares addresses the topic: 2D Tracking (part 3), which is part of the Domestika online course: Introduction to Digital Compositing in Post-production. Learn fundamentals and basic techniques to create a VFX shot with Nuke.

Partial transcription of the video

“So now I'm going to dedicate to continue rolling these Trackings, and while, you too can continue practicing these things in their time. Using a Roto Paint, what I'm going to do is carefully with the pencil, go painting certain areas where I'm going to remove parts of the texture that I put on to be able to integrate it better with my Plate. I'm going to do that before the tracking, so that all this moves with my Track at the same time. I'm going to do an operation with a Marge called Stencil. In After Effects that operation also exists. We are going to change here from Operation Over to St...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Introduction to Digital Compositing in Post-production

Level: Beginner
97% positive reviews (100)
2692 students
4 units
22 lessons (5h 36m)
8 downloads

Category
3D & Animation
Software
Adobe After Effects, Nuke
Areas
3D, Audiovisual Post-production, Film, Video & TV, Photography Post-production, VFX

Juan Olivares

A course by Juan Olivares

Teacher Plus

Digital VFX Composer

Juan Olivares is a specialist in digital composition and visual effects. His beginnings in the audiovisual world were in Buenos Aires (Argentina) working for television commercials, where he later made his big leap into the world of visual effects with the Oscar-winning film The Secret in Their Eyes.

He worked on innumerable Argentine productions before moving to Vancouver, Canada, where he worked in houses specializing in visual effects such as The Embassy, Zoic, and Digital Domain, with which he was able to participate in Hollywood productions such as Deadpool, Arrow, and Furious 7. Then, he crossed the ocean, this time to London, United Kingdom, where he worked at the Framestore house for the film Guardians of the Galaxy.

He is currently in Chile, his native country, where he founded a visual-effects boutique specializing in characters and creatures, called Grumpy VFX, where he is a composer and visual-effects supervisor.

Spanish with subtitles in English