Introduction to Foley: Create and Record Sound Effects
Editing, cleaning and synchronization of recorded sound 4
A course by Manuel José Gordillo , Composer and Sound Designer
Joined March 2022
Joined March 2022
About the video: Editing, cleaning and synchronization of recorded sound 4
Overview
“I continue cleaning up background noise and editing to leave the sound of the scene ready for the subsequent premix.”
In this video lesson Manuel José Gordillo addresses the topic: Editing, cleaning and synchronization of recorded sound 4, which is part of the Domestika online course: Introduction to Foley: Create and Record Sound Effects. Learn to tune in to the sounds of your environment and enrich your audiovisual storytelling with Foley.
Partial transcription of the video
“Editing, cleaning and synchronization of the recorded sound Now the other layer that has a lot of background noise is the layer of meat, so again remember that as it is a destructive process, it is preferable to stretch a little and then cut. Let's send it. Let's select some part of silence and we give Spectral De-noise, Learn, and we process it. Before it was like this. Now it is like this. I think we reduced enough. We make the cut points. Let's go to the next one. The sound of the broom has a rather noisy background that we can clean I remove the fades because it remembers that the destr...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Foley: Create and Record Sound Effects
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Category
Music & Audio -
Areas
Audio, Sound Design
Manuel José Gordillo
A course by Manuel José Gordillo
Manuel José Gordillo is a composer and sound designer for film and media at La Tina Sonido, a company he cofounded in 2010, based in Bogotá, Colombia. He is also the cofounder and board member of MuCine, Asociación Colombiana de Compositores de Música para Cine, with whom he has collaborated on multiple projects.
Throughout his career, he's worked in every step of the sound post-production process for film, holding positions as a sound supervisor, an FX, direct, and ambient sound editor, a Foley artist, and a mixing engineer. He currently devotes his time to composing original music for feature-length films in a variety of genres, from dramas to thrillers and horror movies. With his company, La Tina, he's done sound and music post-production work for projects at both a local and international level, as well as platforms such Netflix, HBO, and Amazon Prime.
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