Introduction to Foley: Create and Record Sound Effects
Editing, cleaning and synchronization of recorded sound 3
A course by Manuel José Gordillo , Composer and Sound Designer
Joined March 2022
Joined March 2022
About the video: Editing, cleaning and synchronization of recorded sound 3
Overview
“The editing process is laborious, but essential to achieve the sound we want. I continue working on the scenes of my project, as a novelty I will use a spectrogram to analyze some sounds.”
In this video lesson Manuel José Gordillo addresses the topic: Editing, cleaning and synchronization of recorded sound 3, which is part of the Domestika online course: Introduction to Foley: Create and Record Sound Effects. Learn to tune in to the sounds of your environment and enrich your audiovisual storytelling with Foley.
Partial transcription of the video
“Next scene. Let's go with the broom. Overall. i observe that everything seems slightly delayed. so I plan to move the entire clip four or five frames to the left for better alignment. I'm going to start editing sound by sound. Before that. i'm going to remove all this noise it's not working for me. It's very important to pay attention to the duration of the sound while she's sweeping. Both the beginning and the end of a sweep are very noticeable. We can easily identify this sound. helping us detect any synchronization issues. Let's listen closely and observe it in a slightly slower motion t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Foley: Create and Record Sound Effects
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Category
Music & Audio -
Areas
Audio, Sound Design
Manuel José Gordillo
A course by Manuel José Gordillo
Manuel José Gordillo is a composer and sound designer for film and media at La Tina Sonido, a company he cofounded in 2010, based in Bogotá, Colombia. He is also the cofounder and board member of MuCine, Asociación Colombiana de Compositores de Música para Cine, with whom he has collaborated on multiple projects.
Throughout his career, he's worked in every step of the sound post-production process for film, holding positions as a sound supervisor, an FX, direct, and ambient sound editor, a Foley artist, and a mixing engineer. He currently devotes his time to composing original music for feature-length films in a variety of genres, from dramas to thrillers and horror movies. With his company, La Tina, he's done sound and music post-production work for projects at both a local and international level, as well as platforms such Netflix, HBO, and Amazon Prime.
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