Introduction to Foley: Create and Record Sound Effects
Editing, cleaning and synchronization of recorded sound 2
A course by Manuel José Gordillo , Composer and Sound Designer
Joined March 2022
Joined March 2022
About the video: Editing, cleaning and synchronization of recorded sound 2
Overview
“I continue editing, this time other different scenes. We keep cleaning noises, creating fades... Little by little we get closer to the result we want.”
In this video lesson Manuel José Gordillo addresses the topic: Editing, cleaning and synchronization of recorded sound 2, which is part of the Domestika online course: Introduction to Foley: Create and Record Sound Effects. Learn to tune in to the sounds of your environment and enrich your audiovisual storytelling with Foley.
Partial transcription of the video
“Editing, cleaning and synchronization of recorded sound To be able to go up and down between channels you can press the P key or the Ñ key, or the one you have under the P. I have a Spanish keyboard, so I have the letter Ñ. Let's listen. In this sequence, the girl walks with a slightly more random rhythm, so there are some steps that are better in sync and others who are not so well, so we'll have to edit a little deeper. The first thing is that I want to avoid having the same information in the channel above than in the channel below at first, because this can generate a delay effect. So t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Foley: Create and Record Sound Effects
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Category
Music & Audio -
Areas
Audio, Sound Design
Manuel José Gordillo
A course by Manuel José Gordillo
Manuel José Gordillo is a composer and sound designer for film and media at La Tina Sonido, a company he cofounded in 2010, based in Bogotá, Colombia. He is also the cofounder and board member of MuCine, Asociación Colombiana de Compositores de Música para Cine, with whom he has collaborated on multiple projects.
Throughout his career, he's worked in every step of the sound post-production process for film, holding positions as a sound supervisor, an FX, direct, and ambient sound editor, a Foley artist, and a mixing engineer. He currently devotes his time to composing original music for feature-length films in a variety of genres, from dramas to thrillers and horror movies. With his company, La Tina, he's done sound and music post-production work for projects at both a local and international level, as well as platforms such Netflix, HBO, and Amazon Prime.
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