Oral Storytelling for Beginners
Fairytale spaces and audiences 1
A course by Andrés Montero , Writer and Storyteller
About the video: Fairytale spaces and audiences 1
Overview
“What do you think is the ideal place to tell a story? Now I am going to talk about the different types of scenarios where you can do it.”
In this video lesson Andrés Montero addresses the topic: Fairytale spaces and audiences 1, which is part of the Domestika online course: Oral Storytelling for Beginners. Discover the art of storytelling and learn techniques to adapt stories to spoken word, translate them to stage, and build a connection with any audience.
Partial transcription of the video
“You might wonder. where can stories be shared and with whom? This lesson explores storytelling spaces and audiences. Recognizing that while any place can host tales. not all have ready audiences. the various storytelling audiences that may exist. Firstly. it's important to understand that any place serve as a stage for stories. yet not everyone present can be an audience for them. A stage might be the The beach. library. classroom. retirement home. or one's own home can host stories. the bed when you go to share something with your children at night. However. not everyone in these environme...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Oral Storytelling for Beginners
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Marketing & Business, Writing -
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Children's Literature, Communication, Creative Writing, Fiction Writing, Narrative, Storytelling
Andrés Montero
A course by Andrés Montero
Andrés Montero is a writer and storyteller from Santiago de Chile. In 2012, he cofounded the company La Matrioska, with which he has put on performances, workshops, and lectures on oral storytelling throughout Chile and in more than ten countries across America and Europe. Every year La Matrioska hosts the International Festival of Oral Narration, ChileCuentos, and in 2022 premiered the television program Los Cuenteros.
As a writer, he has published the novels La muerte viene estilando, Taguada, and Tony Ninguno, which was awarded the Premio Iberoamericano de Novela Elena Poniatowska. He has also published children's books such as Alguien toca la puerta: Leyendas chilenas and an essay entitled Por qué contar cuentos en el siglo XXI. In general, all his projects aim to explore the relationship between literature and orality.
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