Oral Storytelling for Beginners
Fairytale spaces and audiences 2
A course by Andrés Montero , Writer and Storyteller
About the video: Fairytale spaces and audiences 2
Overview
“After seeing the spaces, we will now review the various audiences to whom they can be narrated, with their respective characteristics and differences. ”
In this video lesson Andrés Montero addresses the topic: Fairytale spaces and audiences 2, which is part of the Domestika online course: Oral Storytelling for Beginners. Discover the art of storytelling and learn techniques to adapt stories to spoken word, translate them to stage, and build a connection with any audience.
Partial transcription of the video
“We've already explored various scenarios and storytelling spaces that can exist. Undoubtedly. many possibilities remain unexplored. yet these stand out as particularly significant. Now. let's turn our Various communities. often categorized by age. can be recipients of stories. each possessing distinct traits. These groups are typically divided by age brackets. Let's begin by focusing on early childhood. which includes infants and toddlers from birth up to three of age. This period marks the initial stages of language development as children start to learn and use vocabulary. They may alread...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Oral Storytelling for Beginners
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Category
Marketing & Business, Writing -
Areas
Children's Literature, Communication, Creative Writing, Fiction Writing, Narrative, Storytelling
Andrés Montero
A course by Andrés Montero
Andrés Montero is a writer and storyteller from Santiago de Chile. In 2012, he cofounded the company La Matrioska, with which he has put on performances, workshops, and lectures on oral storytelling throughout Chile and in more than ten countries across America and Europe. Every year La Matrioska hosts the International Festival of Oral Narration, ChileCuentos, and in 2022 premiered the television program Los Cuenteros.
As a writer, he has published the novels La muerte viene estilando, Taguada, and Tony Ninguno, which was awarded the Premio Iberoamericano de Novela Elena Poniatowska. He has also published children's books such as Alguien toca la puerta: Leyendas chilenas and an essay entitled Por qué contar cuentos en el siglo XXI. In general, all his projects aim to explore the relationship between literature and orality.
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