Oral Storytelling for Beginners
Text and structure
A course by Andrés Montero , Writer and Storyteller
About the video: Text and structure
Overview
“A story is based on its words and its construction. You must know if it is well built so that it does not collapse when you are counting it. In this lesson I will explain why.”
In this video lesson Andrés Montero addresses the topic: Text and structure, which is part of the Domestika online course: Oral Storytelling for Beginners. Discover the art of storytelling and learn techniques to adapt stories to spoken word, translate them to stage, and build a connection with any audience.
Partial transcription of the video
“Every story is like a house. It needs a solid structure to stay upright. We require a secure space to explore our narrative selves. But how can we determine if a story's structure truly solid or not? Let's delve into analyzing the structure of narratives so that you can concentrate on the story you are crafting or selecting for this course. in order to determine whether it possesses the structural elements am discussing. Every story presents a world. We call this world the precarious balance. Why precarious? Because nothing has happened yet. It the state before conflicts arise and a story u...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Oral Storytelling for Beginners
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Category
Marketing & Business, Writing -
Areas
Children's Literature, Communication, Creative Writing, Fiction Writing, Narrative, Storytelling

Andrés Montero
A course by Andrés Montero
Andrés Montero is a writer and storyteller from Santiago de Chile. In 2012, he cofounded the company La Matrioska, with which he has put on performances, workshops, and lectures on oral storytelling throughout Chile and in more than ten countries across America and Europe. Every year La Matrioska hosts the International Festival of Oral Narration, ChileCuentos, and in 2022 premiered the television program Los Cuenteros.
As a writer, he has published the novels La muerte viene estilando, Taguada, and Tony Ninguno, which was awarded the Premio Iberoamericano de Novela Elena Poniatowska. He has also published children's books such as Alguien toca la puerta: Leyendas chilenas and an essay entitled Por qué contar cuentos en el siglo XXI. In general, all his projects aim to explore the relationship between literature and orality.
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