Landscape Oil Painting with Plein-air Techniques
Revision, Glazes, Scumbling, and Impasto 2
A course by Diana Buitrago , Realist Painter
About the video: Revision, Glazes, Scumbling, and Impasto 2
Overview
“Once the revision is done, you can move on to the final touches: glazing, scumbling, and impasto. I will explain in detail what glazing is and its difference from the other two techniques. You will see the different effects each application has on a painting.”
In this video lesson Diana Buitrago addresses the topic: Revision, Glazes, Scumbling, and Impasto 2, which is part of the Domestika online course: Landscape Oil Painting with Plein-air Techniques. Learn how to paint atmospheric landscapes that capture natural light using plein-air techniques.
Partial transcription of the video
“ Revision, Glazes, Scumbling, and Impasto Once you're done with the revision passes, you're ready to go over the final touches, glazing, scumbling, and impasto. I want to show you the difference between them and how you apply those passages. For that, I've brought my palette here. These passages are oily. They are very fat. Remember, we've been painting fat over lean. I'll be using linseed oil for this application. In my jar, I'll put linseed oil here and show you the difference. Let's start with glazing. What is glazing and what is scumbling? Glazing and scumbling are oily and more transp...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Landscape Oil Painting with Plein-air Techniques
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting
Diana Buitrago
A course by Diana Buitrago
Diana Buitrago is a classically-trained realist painter from Colombia. She’s currently based in Jersey City, and works in New York City. The focus of her work is on both landscape painting and portrait painting from life. She’s received extensive formal artistic training at the Art Students League, Artistic Anatomy coursework at Drexel University's School of Medicine, and the four-year Core Program at the Grand Central Atelier. She has studied under artists Michael Grimaldi, Dan Thompson, Jon DeMartin, Jacob Collins, and Colleen Barry. Her work has been exhibited in New York in Eleventh Street Arts Gallery, Robert Simon Fine Art, Salmagundi Club, The Phyllis Harriman Gallery, and as well as at the Colombian Embassy in New York.
She now teaches painting to the advanced students in the Core Program at the Grand Central Atelier. She’s also taught workshops for The Art Students League of New York and in other institutions around the world such as Paris, Vienna, and Mexico City. When she’s not teaching, she’s at home painting in her studio or out traveling painting landscapes en Plein-air. In 2018, she was awarded a Fellowship with The La Napoule Foundation, which took her to the South of France to paint the beautiful Côte d'Azur. She’s also a four-time Hudson River Fellow, which allowed her to paint breathtaking landscapes in New Hampshire, New York’s Hudson Valley, and Connecticut. In 2019, her painting “Portrait of a Young Dancer” won a certificate of Excellence from the Portrait Society of America.
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