Landscape Oil Painting with Plein-air Techniques
Revision, Glazes, Scumbling, and Impasto 1
A course by Diana Buitrago , Realist Painter
About the video: Revision, Glazes, Scumbling, and Impasto 1
Overview
“At this stage, the painting is fully painted. You have enough matter to step back and evaluate the whole so as to make further revisions, re-paint, glaze, and add final touches. The first step in the revision is scraping and oiling out the painting. Then, I'll show you some techniques I use to accurately judge colors and values. ”
In this video lesson Diana Buitrago addresses the topic: Revision, Glazes, Scumbling, and Impasto 1, which is part of the Domestika online course: Landscape Oil Painting with Plein-air Techniques. Learn how to paint atmospheric landscapes that capture natural light using plein-air techniques.
Partial transcription of the video
“ Revision, Glazes, Scumbling, and Impasto In this lesson, I’ll teach you how to come back to your painting after it's dried and do the overpasses, the last layer of a painting that is divided into revision, glazing, impasto and scumbling. You want to leave the painting to dry for at least a week. You don't want to do these overpasses when the painting is wet or tacky, like if you touch it, you can feel your finger sticks on the paint. You want to let it dry. In oil painting, certain colors dry faster than others. For example, earthy colors such as raw umber, raw sienna, and transparent oxi...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Landscape Oil Painting with Plein-air Techniques
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting
Diana Buitrago
A course by Diana Buitrago
Diana Buitrago is a classically-trained realist painter from Colombia. She’s currently based in Jersey City, and works in New York City. The focus of her work is on both landscape painting and portrait painting from life. She’s received extensive formal artistic training at the Art Students League, Artistic Anatomy coursework at Drexel University's School of Medicine, and the four-year Core Program at the Grand Central Atelier. She has studied under artists Michael Grimaldi, Dan Thompson, Jon DeMartin, Jacob Collins, and Colleen Barry. Her work has been exhibited in New York in Eleventh Street Arts Gallery, Robert Simon Fine Art, Salmagundi Club, The Phyllis Harriman Gallery, and as well as at the Colombian Embassy in New York.
She now teaches painting to the advanced students in the Core Program at the Grand Central Atelier. She’s also taught workshops for The Art Students League of New York and in other institutions around the world such as Paris, Vienna, and Mexico City. When she’s not teaching, she’s at home painting in her studio or out traveling painting landscapes en Plein-air. In 2018, she was awarded a Fellowship with The La Napoule Foundation, which took her to the South of France to paint the beautiful Côte d'Azur. She’s also a four-time Hudson River Fellow, which allowed her to paint breathtaking landscapes in New Hampshire, New York’s Hudson Valley, and Connecticut. In 2019, her painting “Portrait of a Young Dancer” won a certificate of Excellence from the Portrait Society of America.
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