Narrative Landscape Illustration with Stencils and Acrylics
Digital Archiving of the Creation
A course by Tom Haugomat , Illustrator and Animated Film Director
About the video: Digital Archiving of the Creation
Overview
“Here I'll show you how you can easily edit the color and light of your scanned artwork for sharing.”
In this video lesson Tom Haugomat addresses the topic: Digital Archiving of the Creation, which is part of the Domestika online course: Narrative Landscape Illustration with Stencils and Acrylics. Create three images inspired by the beauty of nature using simple composition and color techniques.
Partial transcription of the video
“Digitally Archiving Our Creation In this lesson, we'll learn how to retouch and archive our creations digitally. Once you've photographed your triptych, you can import it into Adobe Lightroom. The photos I take of my drawings are usually underexposed, so I first retouch the lighting. Here, we can add whites, tweak the exposure a bit, the contrast, the highlights, and lower the shadows. I'll add some white. I'll recover a little black to find the purples in my colors. Another tip that comes in handy in the Color menu here: you can adjust the image's temperature, hue, vibrance, and saturation...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Narrative Landscape Illustration with Stencils and Acrylics
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Category
Illustration -
Software
Adobe Lightroom -
Areas
Acrylic Painting, Narrative, Painting, Traditional illustration

Tom Haugomat
A course by Tom Haugomat
When he was young, Tom Haugomat often holidayed in the Alps, which explains his fascination for the immensity of natural spaces. While training in animation drawing at the Gobelins school, he adopted a refined stroke to get around the technical difficulties he encountered. This minimalist spirit is still his trademark today, in addition to his simplified color palettes and his faceless, slightly enigmatic characters.
Now based in Paris, Tom paints, writes, and directs animated films, and has worked for advertising campaigns (Evian, Target, and SNCF), as well as the press (The New York Times, The New Yorker, The Washington Post, and Le Monde), and in publishing (Thierry Magnier and Tishina).
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