Narrative Landscape Illustration with Stencils and Acrylics
Course final project
A course by Tom Haugomat , Illustrator and Animated Film Director
About the final project for: Narrative Landscape Illustration with Stencils and Acrylics
Narrative Landscape Illustration with Stencils and Acrylics
“We have come to the end of the course. Thank you so much for following it with me. I hope that this learning will be useful to you and that you will enjoy carrying out your project. I leave you below the main steps to follow to complete this project. This can be the triptych you have already started with the exercises or you can create a new one! In any case, take care to document the different stages of your creation and add a brief explanation of what you did in each of them as well as your choices. Realize the sequencing of your triptych.






Partial transcription of the video
“Thank you for joining this Domestika course with me. Now it's your chance to draw. Before you start your illustrations. here are a few final tips. Firstly. take the time to find inspiration and gather images. take the time to find inspiration. Collect images and references to craft a mood board. a cabinet of curiosities. a cabinet of curiosities that will serve as the basis for your work. Once your universe is defined. you can move on to sequencing your triptych. How will you narrate your story? Consider continuity. Explore viewpoints. ellipses—anything is possible in your creative journey....”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Narrative Landscape Illustration with Stencils and Acrylics
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Category
Illustration -
Software
Adobe Lightroom -
Areas
Acrylic Painting, Narrative, Painting, Traditional illustration

Tom Haugomat
A course by Tom Haugomat
When he was young, Tom Haugomat often holidayed in the Alps, which explains his fascination for the immensity of natural spaces. While training in animation drawing at the Gobelins school, he adopted a refined stroke to get around the technical difficulties he encountered. This minimalist spirit is still his trademark today, in addition to his simplified color palettes and his faceless, slightly enigmatic characters.
Now based in Paris, Tom paints, writes, and directs animated films, and has worked for advertising campaigns (Evian, Target, and SNCF), as well as the press (The New York Times, The New Yorker, The Washington Post, and Le Monde), and in publishing (Thierry Magnier and Tishina).
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