Narrative Landscape Illustration with Stencils and Acrylics
Influences
A course by Tom Haugomat , Illustrator and Animated Film Director
About the video: Influences
Overview
“Now I will introduce you to the work of some artists who have inspired me and influenced my work.”
In this video lesson Tom Haugomat addresses the topic: Influences, which is part of the Domestika online course: Narrative Landscape Illustration with Stencils and Acrylics. Create three images inspired by the beauty of nature using simple composition and color techniques.
Partial transcription of the video
“My Sources of Inspiration Now that I've introduced myself, in this lesson, I'll discuss my sources of inspiration. First, I'll tell you about Eyvind Earle, an American artist and illustrator who is known for his work at Walt Disney. He did concept art and designed scenery for movies like "Sleeping Beauty." I was quickly struck by his sharp, silhouetted style, quite minimalist, and, above all, his way of working with color accents. For example, in this image, the scenery contains shades of blue, and the subjects stand out with the much more vivid colors in the red dress and the prince's oran...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Narrative Landscape Illustration with Stencils and Acrylics
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Category
Illustration -
Software
Adobe Lightroom -
Areas
Acrylic Painting, Narrative, Painting, Traditional illustration

Tom Haugomat
A course by Tom Haugomat
When he was young, Tom Haugomat often holidayed in the Alps, which explains his fascination for the immensity of natural spaces. While training in animation drawing at the Gobelins school, he adopted a refined stroke to get around the technical difficulties he encountered. This minimalist spirit is still his trademark today, in addition to his simplified color palettes and his faceless, slightly enigmatic characters.
Now based in Paris, Tom paints, writes, and directs animated films, and has worked for advertising campaigns (Evian, Target, and SNCF), as well as the press (The New York Times, The New Yorker, The Washington Post, and Le Monde), and in publishing (Thierry Magnier and Tishina).
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