Narrative Landscape Illustration with Stencils and Acrylics
Sequencing
A course by Tom Haugomat , Illustrator and Animated Film Director
About the video: Sequencing
Overview
“Now I'll show you how to compose a sequence of three images. Specifically, I'm going to show you the technique I use with post-it notes.”
In this video lesson Tom Haugomat addresses the topic: Sequencing, which is part of the Domestika online course: Narrative Landscape Illustration with Stencils and Acrylics. Create three images inspired by the beauty of nature using simple composition and color techniques.
Partial transcription of the video
“Sequencing In this lesson, you'll learn to put together a three-image sequence. We'll draw them on sticky notes. This is very useful for testing different combinations by moving images around. Keep your chosen topic in mind and start drawing with your inspirational wall as a guide. Remember the composition rules we looked at earlier. To make your sequence dynamic, I encourage you to vary your angles. The angle you choose for your drawing can influence the image and the feeling it elicits. For example, drawing characters with a high-angle view can evoke a feeling of vulnerability, while a lo...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Narrative Landscape Illustration with Stencils and Acrylics
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Category
Illustration -
Software
Adobe Lightroom -
Areas
Acrylic Painting, Narrative, Painting, Traditional illustration

Tom Haugomat
A course by Tom Haugomat
When he was young, Tom Haugomat often holidayed in the Alps, which explains his fascination for the immensity of natural spaces. While training in animation drawing at the Gobelins school, he adopted a refined stroke to get around the technical difficulties he encountered. This minimalist spirit is still his trademark today, in addition to his simplified color palettes and his faceless, slightly enigmatic characters.
Now based in Paris, Tom paints, writes, and directs animated films, and has worked for advertising campaigns (Evian, Target, and SNCF), as well as the press (The New York Times, The New Yorker, The Washington Post, and Le Monde), and in publishing (Thierry Magnier and Tishina).
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