Introduction to Moulage for Fashion Design
Finishing and bass: the final details 2
A course by Isabel Sánchez , Designer
About the video: Finishing and bass: the final details 2
Overview
“We continue to make the final touches to our garment to finish it.”
In this video lesson Isabel Sánchez addresses the topic: Finishing and bass: the final details 2, which is part of the Domestika online course: Introduction to Moulage for Fashion Design. Learn to shape clothes directly on a mannequin and turn them into patterns for future replicas.
Partial transcription of the video
“Finishing and Bass: The Final Details Once we have sewn all the bias, these are the next steps. We are going to put this bias inside to sew the cutting edge here again. That will be our auction, but before we do it, as a precaution and to make it cleaner for us, this seam we would lower it a little. That is, as we also did in our French sewing, if you remember, let's cut it a bit. This will guarantee that, when the bias is turned inwards, absolutely no thread peeks out nor anything of this seam. It will seat the seam much better, too. When I fold this like this to sew, having cut is giving ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Moulage for Fashion Design
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Category
Craft, Fashion -
Areas
Fashion Design, Patternmaking & Dressmaking, Sewing

Isabel Sánchez
A course by Isabel Sánchez
Isabel Sanchéz has dedicated herself to the fashion world for over 40 years. Since the late '80s she has worked alongside and collaborated with some of Spain's most renowned designers like Devota & Lomba, Jesús del Pozo, and Agatha Ruiz de la Prada.
She began combining her design studio collaborations with teaching in 1999, and has since worked at the University of Navarra, the European University of Madrid, and the IED (Istituto Europeo di Design), to name just a few, giving classes on the technical side of dressmaking, pattern design, and draping.
In 2011, she published the book Little Black Dress, which was translated into several languages. The same year, she opened her studio, Laboratorio de Proyectos, where she works on runway collections and any other project requiring the study of fabric volume and behavior.
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