Introduction to Moulage for Fashion Design
Materials
A course by Isabel Sánchez , Designer
About the video: Materials
Overview
“In this lesson we will review the raw materials, materials and tools that we will use during the course.”
In this video lesson Isabel Sánchez addresses the topic: Materials, which is part of the Domestika online course: Introduction to Moulage for Fashion Design. Learn to shape clothes directly on a mannequin and turn them into patterns for future replicas.
Partial transcription of the video
“Materials In this lesson I am going to tell you about the materials that we are going to need to carry out this blouse. They are all important but the most important is the fabric. I have taken this blue fabric. It's a poplin but it could be a voile It could be a fine crepe, any material that does not weigh you very much. I almost always lean towards voiles or poplin because they give a very papery look. For example, if we took the other possibility, that you approach crepes, wrinkles are rounder, they are more organic, but not excessively stiff fabric nor a fabric that was excessively heav...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Moulage for Fashion Design
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Category
Craft, Fashion -
Areas
Fashion Design, Patternmaking & Dressmaking, Sewing

Isabel Sánchez
A course by Isabel Sánchez
Isabel Sanchéz has dedicated herself to the fashion world for over 40 years. Since the late '80s she has worked alongside and collaborated with some of Spain's most renowned designers like Devota & Lomba, Jesús del Pozo, and Agatha Ruiz de la Prada.
She began combining her design studio collaborations with teaching in 1999, and has since worked at the University of Navarra, the European University of Madrid, and the IED (Istituto Europeo di Design), to name just a few, giving classes on the technical side of dressmaking, pattern design, and draping.
In 2011, she published the book Little Black Dress, which was translated into several languages. The same year, she opened her studio, Laboratorio de Proyectos, where she works on runway collections and any other project requiring the study of fabric volume and behavior.
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