Mixing Music with Pro Tools
Placing Instruments in Time 7
A course by Luca Petricca , Sound Technician and Music Producer
About the video: Placing Instruments in Time 7
Overview
“We finalize the different processes that we have carried out to place the instruments in time.”
In this video lesson Luca Petricca addresses the topic: Placing Instruments in Time 7, which is part of the Domestika online course: Mixing Music with Pro Tools. Learn to mix songs that bring out the full potential of instruments and vocals through professional processes.
Partial transcription of the video
“Placing instruments in time In this way, with the Nudge we will control very well how much we want to move each thing. This note is early, but the other is late, as was the case before. If we want to be more exact, we will take this one back a bit and at one point, cutting, and with the Minus we will take this a tad forwards. It's getting underneath. With the smart tool, we can get it out and we have a little more margin. We do our crossfade, we stretch the wave on one side and on the other to make our crossfade, and we have to listen, which is what assures us that it is okay. Sometimes the...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Mixing Music with Pro Tools
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Category
Music & Audio -
Software
Avid Pro Tools, Pro Tools -
Areas
Audio, Music, Music Production
Luca Petricca
A course by Luca Petricca
Luca Petricca is a sound technician and music producer with more than 20 years of experience, as well as the cofounder of Estudios Reno in Madrid. After ten years of freelance work as a mixer, associate producer, and technician for different producers in studios across Spain, he created Reno so he could focus on independent music, a section of the industry he connects with on a more personal and emotional level. He has mixed albums and songs for artists like Izal, Xoel López, and León Benavente.
When he's not running his studio or the FOH for live shows, he shares his knowledge of mixing as a professor at the United Pop school in Madrid. By teaching classes, he has found a way to help students interested in sound achieve more professional results and, ultimately, a more satisfying creative experience by showing them how to use a variety of tools and approaches in their work.
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