Matte Painting Techniques for ArchViz
We work the fund
A course by Fran Mateos , Architect
About the video: We work the fund
Overview
“We are going to work on all the elements of the background of the image: sky, mountains, vegetation ... This is an essential part to generate the depth that we need the image to have if we want the viewer to walk through it for a long time. ”
In this video lesson Fran Mateos addresses the topic: We work the fund, which is part of the Domestika online course: Matte Painting Techniques for ArchViz. Optimize your architectural models in an efficient way and enhance the final image through matte painting.
Partial transcription of the video
“We've all been tempted to place a person or a massive tree in a certain situation. In this lesson. i'll cover techniques for tackling the large foreground plane that dominates about a third of many scenes. While it simplifies some aspects of illustration. it poses challenges in creating the depth for architectural images. I will explain methods to work on the final plane and how to introduce depth Join me as I guide you through setting the sky. exploring which color nuances might be captivating. as serves as the catalyst for the entire scene's illumination. This is an invitation to embark o...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Matte Painting Techniques for ArchViz
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Category
Architecture & Spaces -
Areas
ArchVIZ, Digital Architecture, Digital Photography, Matte Painting, Photo Retouching, Photomontage

Fran Mateos
A course by Fran Mateos
Despite specializing in landscapes, as soon as he finished his degree Fran Mateos set his sights on architectural graphic illustration driven by the idea of learning from the projects around him that were underway at the time. He started by collaborating with studios like Poliedro, Idearch, Manu-facturas, and Foster and Partners until he decided to take a break and open his own academy: La Leonera.
After a year of teaching classes, Fran was given the opportunity to work with the studio Nieto Sobejano and he quickly found himself drawn back into the world of architectural visualization. With the knowledge and experience he gained while there, he formed a team and founded Drama, his own architectural communication agency which has collaborated with larger studios in Spain and Europe including Arquitectos Ayala, Vázquez Consuegra, and Unstudio.
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