Artistic Illustration: From Drawing to Digital
Gouache and Pasting 2
A course by Paul Scheruebel , Painter, Illustrator, and Graphic Designer
About the video: Gouache and Pasting 2
Overview
“In this part of the lesson, I continue working on the composition, trying to give a dynamic feel to it.”
In this video lesson Paul Scheruebel addresses the topic: Gouache and Pasting 2, which is part of the Domestika online course: Artistic Illustration: From Drawing to Digital. Experiment with illustration by creating artwork with charcoal and gouache paint then digitizing it on Photoshop to create striking images.
Partial transcription of the video
“Gouache and Pasting As you see, we have all the elements for our final illustration ready. We have our background with a very lively texture and I kept the yellow and red, because I wanted it to be warm and energetic, because it will be a very explosive image. We've also got the head in charcoal that I drew earlier and that I cut out. And, as you can see, the head opens now, so the head is cut in half. And I'm going to use that to insert the explosion of the mind-blowing experience into it. But at this stage you could go in a different direction as well. For example, I have this cutout of t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Artistic Illustration: From Drawing to Digital
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Artistic Drawing, Digital Drawing, Digital Illustration, Drawing, Fine Arts, Gouache Painting, Traditional illustration
Paul Scheruebel
A course by Paul Scheruebel
After studying graphic design in university in Austria (and a brief stint as a jazz musician), Paul Scherübel began working as an editorial graphic designer for the Austrian magazine Graz. Wanting to improve his artistic abilities, he moved to London to study illustration in the University of Westminster, where he developed his eclectic and experimental style.
He has since done illustrations for magazines, theater productions, and companies like The Folio Society, Austria Microsystems, and the Swiss Engineering Institute. He has also been featured in Images: Best of British Illustration, Spectrum 26: The Best in Contemporary Fantastic Art, and 3×3: The Magazine of Contemporary Illustration.
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