Brushes and Pixels: Introduction to Digital Painting in Photoshop
Adjusting the range
A course by Patricio Betteo , Illustrator
About the video: Adjusting the range
Overview
“Since we saw color and temperature set, let's look at the systems to balance and tone the color of the image.”
In this video lesson Patricio Betteo addresses the topic: Adjusting the range, which is part of the Domestika online course: Brushes and Pixels: Introduction to Digital Painting in Photoshop. Learn to create illustrations with a pictorial look.
Partial transcription of the video
“ADJUSTING THE RANGE In this lesson we will make color adjustments, we will use Color Balance and we will apply some glaze with transparency to harmonize our entire palette. Although this lesson is color and adjustments and ways to balance the color, I will continue painting. We are in a digital painting course, so let's paint everything we can. Also, I saw this image and felt that I could adjust it a bit, and while I'm going to keep telling you important things. I'm going to use the triangular brush, this one called Triangle, and we are going to put the Color Dynamics. Remember Color Dynami...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Brushes and Pixels: Introduction to Digital Painting in Photoshop
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Drawing, Digital Illustration, Digital Painting, Traditional illustration
Patricio Betteo
A course by Patricio Betteo
Patricio Betteo studied graphic design at the Faculty of Arts and Design at UNAM in Mexico. His illustrations have been featured in diverse magazines such as Expansión, Rolling Stone, and Nexos, and he has exhibited his art in Mexico City, Bucharest, Madrid, and Paris. He also publishes cartoons and comic strips in QUO, Switch, and Chilango.
He illustrated the graphic novel by Tony Sandoval titled Gris: A través de los otoños, which was published in Switzerland and Mexico. Some of his most notable projects include Never Ever After, Mirador, and the graphic novel Mundo Invisible (winner of the 2011 National Graphic Novel Competition by Editorial JUS). He has also illustrated nearly thirty children’s books for publishing companies like Fondo de Cultura Ecónómica, SM, Sexto Piso, Alfaguara, and Almadía.
His devotion to drawing has opened the doors to work in concept art for video games (Grimm, Dance Central) as well as audiovisual animation, where he won an Emmy Award for Outstanding Individual Achievement in Animation for his background art in the show Love, Death + Robots on Netflix.
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