Brushes and Pixels: Introduction to Digital Painting in Photoshop
Coloring Vs. Paint
A course by Patricio Betteo , Illustrator
About the video: Coloring Vs. Paint
Overview
“We will see the differences between coloring and painting.”
In this video lesson Patricio Betteo addresses the topic: Coloring Vs. Paint, which is part of the Domestika online course: Brushes and Pixels: Introduction to Digital Painting in Photoshop. Learn to create illustrations with a pictorial look.
Partial transcription of the video
“COLOR VERSUS PAINT This unit in which although we will see grayscale, I want to make some suggestions and differentiate between coloring and painting. Goes? Let's talk about the difference between coloring and painting. Coloring, the most orthodox and traditional version of coloring to an image. See, I just made a new layer, I put it in Multiply. Let's fill it with a color, let's turn it green and I'm going to give Hue / Saturation and I'm going to lower the intensity a bit. And there is a large assortment of tools with which you could do it and I keep doing it for many illustration works. ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Brushes and Pixels: Introduction to Digital Painting in Photoshop
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Drawing, Digital Illustration, Digital Painting, Traditional illustration

Patricio Betteo
A course by Patricio Betteo
Patricio Betteo studied graphic design at the Faculty of Arts and Design at UNAM in Mexico. His illustrations have been featured in diverse magazines such as Expansión, Rolling Stone, and Nexos, and he has exhibited his art in Mexico City, Bucharest, Madrid, and Paris. He also publishes cartoons and comic strips in QUO, Switch, and Chilango.
He illustrated the graphic novel by Tony Sandoval titled Gris: A través de los otoños, which was published in Switzerland and Mexico. Some of his most notable projects include Never Ever After, Mirador, and the graphic novel Mundo Invisible (winner of the 2011 National Graphic Novel Competition by Editorial JUS). He has also illustrated nearly thirty children’s books for publishing companies like Fondo de Cultura Ecónómica, SM, Sexto Piso, Alfaguara, and Almadía.
His devotion to drawing has opened the doors to work in concept art for video games (Grimm, Dance Central) as well as audiovisual animation, where he won an Emmy Award for Outstanding Individual Achievement in Animation for his background art in the show Love, Death + Robots on Netflix.
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