Lighting Principles for Digital Painting
Wrapping up the artificial light scene
A course by Samuel Smith , Visual Development Artist
About the video: Wrapping up the artificial light scene
Overview
“In this lesson, I’ll show you how to finish up the night interior painting by adding reflections according to the color of the light sources. We won’t see translucency here because the light sources aren’t strong enough for this effect to be visible in the skin, however, we could see light going through the clothes if one of the light sources was situated behind the character. Notice how the reflections take on the colors of the light sources because we’re seeing that light source as we would through a very dark and fuzzy mirror. ”
In this video lesson Samuel Smith addresses the topic: Wrapping up the artificial light scene, which is part of the Domestika online course: Lighting Principles for Digital Painting. Learn how to adapt your digital illustrations to a series of natural and artificial lighting conditions on Photoshop.
Partial transcription of the video
“Wrapping up the artificial light scene In this lesson, we'll go back to the indoor scene with colored lights and see how to paint reflections on the character and the environment according to the position and color of the two light sources. Let's look at that. Let's see what we can do to make this one a bit more believable. Again, I'm making a layer on top of everything and my Eyedropper is in All Layers, so that I can just paint on top of everything. We can use this white shirt to see what color the light is. Let's take that and make it brighter, a bit more saturated. I was saying maybe th...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Lighting Principles for Digital Painting
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Illustration, Digital Painting, Traditional illustration

Samuel Smith
A course by Samuel Smith
Samuel Smith is a freelance visual development artist for animation, with a passion for igniting animation projects with light. After studying 3D animation, he started painting digitally without ever thinking he could achieve a professional level. However, after some years of hard work and dedication, continuously researching and observing his surroundings, he started to work on important animation projects and was hired by SPA, Spain, as a color artist.
He has worked on many commercials, TV shows, and two feature films: Klaus for SPA Studios and another upcoming animated film for Illumination Studios.
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