From the Lettering to the Font
Fine adjustments. Space, print and correct
A course by Type-Ø-Tones , Typography designers
About the video: Fine adjustments. Space, print and correct
Overview
“After printing the proof sheet and writing down corrections, we will fine-tune the drawings, converting those groupings of pieces into characters with personality, creating modulations, adapting serifs and introducing ink traps. Next we will space, seeing the difference between general spacing and kerning. ”
In this video lesson Type-Ø-Tones addresses the topic: Fine adjustments. Space, print and correct, which is part of the Domestika online course: From the Lettering to the Font. Create your own alphabet based on a found lettering.
Partial transcription of the video
“[Music] In this lesson we will return to the analog material ... and come on ... to work with an impression of the characters we have made so far ... and we will see what corrections we have seen once printed. It's about placing marks and then trying to reproduce those variations in our vector documents. [Music] One of the aspects that we appreciate seeing the printed material is that the characters seem too rough. Maybe too true to the original label. Respect for the original label is not good advice to fix it on the typographic elements and we can observe that the serifs, there is a red c...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: From the Lettering to the Font
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Category
Calligraphy & Typography -
Software
Adobe Illustrator -
Areas
Graphic Design, Typography, Typography Design
Type-Ø-Tones
A course by Type-Ø-Tones
José Manuel Urós is a self-taught programmer, typographer, designer and guitarist.
Born in Barcelona in 1956, a city that loves and tries not to leave more than two weeks ... every two years.
He began his career as a programmer in the eighties and in 1988 he began to work with numerous design and advertising studios.
In 1992, he established a close relationship with Estudio Mariscal, in charge of typographical projects and editorial design. From 1993 he teaches Design and Typography courses in Eina, Elisava, ESDI and IDEP.
His with the fonts EbuScript, Matricia, Vulcano, Memimas, Ginebra, Joost, Optica, Reload, Solida, Arboria and Arbotek.
Parallel to his work as a designer, he develops a fruitful musical career playing with artists and bands such as Bootunoo, New Buildings, MCW, La Fura dels Baus, Leo Mariño, Josep Giménez, Elements, Pangrams, Adrián Morales or Unoma and Altaba / Samsó / Urós , among others. His last performances have been with the GRUS group.
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Laura Meseguer is a graphic designer, typist and freelance typeface designer. He lives and works in Barcelona and in his studio he develops editorial design projects, as well as lettering and customized typography.
In 2003 he studied the KABK Master's Degree and Media in The Hague. His final work, the Rumba typeface, is selected in 2005 by the TDC in the TypeDesign Competition. As author, she publishes the book "TypoMag, typography in magazines" and in 2012 "How to create typographies, from the sketch to the screen" of Type e, which is co-authored by Cristóbal Henestrosa and José Scaglione.
Meseguer has participated in exhibitions and conferences at an international level and teaches typography classes at schools such as Elisava and Eina.
She is the author of the alphabets such as Cortada, Frankie, Rumba, Guapa, Magasin, Lalola and Multi.
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- 1,652 students
- 18 lessons (2h 47m)
- 6 additional resources (3 files)
- Online and at your own pace
- Available on the app
- Audio: Spanish
- Spanish · English · Portuguese
- Level: Intermediate
- Unlimited access forever
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