From the Lettering to the Font
Our influences: examples of alphabets extracted from "lettering"
A course by Type-Ø-Tones , Typography designers
About the video: Our influences: examples of alphabets extracted from "lettering"
Overview
“In this unit, as a documentation, we will show more extensively examples of the resolution of some of our own alphabets, solved by the techniques we will learn. It will serve as orientation because it is directly related to our course.”
In this video lesson Type-Ø-Tones addresses the topic: Our influences: examples of alphabets extracted from "lettering", which is part of the Domestika online course: From the Lettering to the Font. Create your own alphabet based on a found lettering.
Partial transcription of the video
“[Music] In this lesson we are going to show you some examples of alphabets, or character sets developed by Laura and myself, by different inputs. Ehm. It's an exercise that we do, with a certain regularity in schools, but not only that, is a procedure that we use to design our own sources, and some are born exactly of this type of example. For example, the first example that we wanted to show you is ... what we call curiously "Glasses" this is a picture that we took in one of our restaurants favorites, and I was there a fantastic fridge with this sign that in the end managed to photograph, ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: From the Lettering to the Font
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Category
Calligraphy & Typography -
Software
Adobe Illustrator -
Areas
Graphic Design, Typography, Typography Design

Type-Ø-Tones
A course by Type-Ø-Tones
José Manuel Urós is a self-taught programmer, typographer, designer and guitarist.
Born in Barcelona in 1956, a city that loves and tries not to leave more than two weeks ... every two years.
He began his career as a programmer in the eighties and in 1988 he began to work with numerous design and advertising studios.
In 1992, he established a close relationship with Estudio Mariscal, in charge of typographical projects and editorial design. From 1993 he teaches Design and Typography courses in Eina, Elisava, ESDI and IDEP.
His with the fonts EbuScript, Matricia, Vulcano, Memimas, Ginebra, Joost, Optica, Reload, Solida, Arboria and Arbotek.
Parallel to his work as a designer, he develops a fruitful musical career playing with artists and bands such as Bootunoo, New Buildings, MCW, La Fura dels Baus, Leo Mariño, Josep Giménez, Elements, Pangrams, Adrián Morales or Unoma and Altaba / Samsó / Urós , among others. His last performances have been with the GRUS group.
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Laura Meseguer is a graphic designer, typist and freelance typeface designer. He lives and works in Barcelona and in his studio he develops editorial design projects, as well as lettering and customized typography.
In 2003 he studied the KABK Master's Degree and Media in The Hague. His final work, the Rumba typeface, is selected in 2005 by the TDC in the TypeDesign Competition. As author, she publishes the book "TypoMag, typography in magazines" and in 2012 "How to create typographies, from the sketch to the screen" of Type e, which is co-authored by Cristóbal Henestrosa and José Scaglione.
Meseguer has participated in exhibitions and conferences at an international level and teaches typography classes at schools such as Elisava and Eina.
She is the author of the alphabets such as Cortada, Frankie, Rumba, Guapa, Magasin, Lalola and Multi.
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