Digital Reinterpretation of Classic Typography
Optical compensation
A course by Oscar Guerrero Cañizares , Graphic Designer and Typography Specialist
Joined October 2014
About the video: Optical compensation
Overview
“Although typography has many rules, it is also full of small adjustments that try to fool the eye and optimize each shape. Optical compensations take care of this and are present in most contemporary typefaces. ”
In this video lesson Oscar Guerrero Cañizares addresses the topic: Optical compensation, which is part of the Domestika online course: Digital Reinterpretation of Classic Typography. Learn the typographic revival method to give a new digital life to ancient fonts.
Partial transcription of the video
“Hello again, surely you have ever told a white lie, those little lies that help us improve a greater good. That's how optical compensations work, it's those little adjustments, small adaptations, which we make in certain forms of contrasts and weights, that help us to keep all the color and shape in a harmonious way. These optical adjustments are necessary and we will see them In most typefaces we will analyze. Let's talk a little more about it, join me. Optical offsets or optical adjustments They are a fundamental part of typography. Almost that most existing typefaces will have some optic...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Digital Reinterpretation of Classic Typography
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Category
Calligraphy & Typography -
Areas
Digital Design, Typography, Typography Design

Oscar Guerrero Cañizares
A course by Oscar Guerrero Cañizares
Colombian graphic designer and specialist in graduate typography design from the University of Buenos Aires (Argentina). He is currently working as an independent designer in his studio Sumotype Foundry, where he develops typography projects and lettering .
He has participated as a jury for Colombia in the Bienal Tipos Latinos 2016 and has received recognitions such as the Steel Pencil Award in Colombia (2007 and 2014) and the Communication Arts Award 2016, as well as participating in the Latinamerican Biennial of Latin Types 2014 Typography and the Iberoamerican Design Biennial 2014.
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- Audio: Spanish
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