Digital Reinterpretation of Classic Typography
Influences
A course by Oscar Guerrero Cañizares , Graphic Designer and Typography Specialist
Joined October 2014
About the video: Influences
Overview
“Typography is a discipline that requires a large portion of history and inspiration. I show you some of the possibilities to start the project and I share basic definitions of what a Typographic Revival is. ”
In this video lesson Oscar Guerrero Cañizares addresses the topic: Influences, which is part of the Domestika online course: Digital Reinterpretation of Classic Typography. Learn the typographic revival method to give a new digital life to ancient fonts.
Partial transcription of the video
“Welcome to this lesson. We will talk about my personal influences. In my professional life as a typography designer I've always looked for influences from the classics. In fact, my favorite designer lived during the Renaissance and his name was Nicolas Jenson. My favorite typeface is Bodoni, a classic typography par excellence. In addition, I seek influence in contemporary designers who have reinterpreted or adapted classic models to their designs, as in the case of the Emigre foundry, that in addition to designing experimental typefaces for his magazine in the nineties, he has several prop...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Digital Reinterpretation of Classic Typography
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Category
Calligraphy & Typography -
Areas
Digital Design, Typography, Typography Design

Oscar Guerrero Cañizares
A course by Oscar Guerrero Cañizares
Colombian graphic designer and specialist in graduate typography design from the University of Buenos Aires (Argentina). He is currently working as an independent designer in his studio Sumotype Foundry, where he develops typography projects and lettering .
He has participated as a jury for Colombia in the Bienal Tipos Latinos 2016 and has received recognitions such as the Steel Pencil Award in Colombia (2007 and 2014) and the Communication Arts Award 2016, as well as participating in the Latinamerican Biennial of Latin Types 2014 Typography and the Iberoamerican Design Biennial 2014.
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