Title Sequence Animation in After Effects
Creating the First Two Scenes 3
A course by Paul McDonnell , Title Sequence Designer
About the video: Creating the First Two Scenes 3
Overview
“Almost ready! I will now finish both scenes. I will also briefly talk about the pitching process and explain how a strong Photoshop composition can be used as the foundation of your job. ”
In this video lesson Paul McDonnell addresses the topic: Creating the First Two Scenes 3, which is part of the Domestika online course: Title Sequence Animation in After Effects. Learn how to create a striking opening sequence for a movie or series by editing images and layouts in Photoshop, then bring it to life in After Effects.
Partial transcription of the video
“ Creating the First Two Scenes When I first found this, I thought it would work brilliantly but I think the illustration is not the way to go, unfortunately. I wonder if the illustration will pull us away from the hyperreal feel of it. I wonder if this might clash too much. I've got a backup because as we were scrolling through those images, I did find the photo of the actual puppet that they used in the movie that I feel we could get to work. It feels like it's got some potential. I feel like this will be better, I'm taking it. This is from the museum. While I'm here, what I'm tempted to ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Title Sequence Animation in After Effects
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Category
3D & Animation -
Areas
Animation
Paul McDonnell
A course by Paul McDonnell
Paul is a title sequence designer, working out of HUGE Designs in London. He was born in Guildford, England in 1979 and grew up in Western New York. Paul has been working in the title industry for over a decade, and has created the opening titles for shows including The Walking Dead, Chucky, The Serpent, Around the World in 80 Days, Das Boot and The Son.
He’s been nominated for BAFTAs multiple times, and won a Primetime Emmy for his work on the show Da Vinci’s Demons. He’s also a three-time recepient of the SXSW Excellence in Title Design for his work in The Shannara Chronicles, Into the Badlands, and Any Human Heart.
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