Watercolor Wildlife in Positive and Negative
Preparatory Drawing: Positive and Negative 2
A course by Silvia Molinari , Painter
About the video: Preparatory Drawing: Positive and Negative 2
Overview
“Here I will move on to drawing on colored paper. It is important to refer to both the photographic image and the one already drawn on white paper, so that the illustrations of the diptych to be made are identical.”
In this video lesson Silvia Molinari addresses the topic: Preparatory Drawing: Positive and Negative 2, which is part of the Domestika online course: Watercolor Wildlife in Positive and Negative. Explore watercolor and monochrome techniques on dark paper to create a stunning wildlife piece in positive and negative.
Partial transcription of the video
“Preparatory drawing: positive and negative Let's now move on to drawing on colored paper. Being a diptych, it is important to always keep next to our sheet of pigmented paper not only the photographic reference image, but also the drawing already done on white paper. In fact, in our diptych the images will be identical. For the preparatory drawing I will use the pencil above. In case you were drawing on a slightly darker paper compared to this, I advise you to consider instead a decidedly softer pencil, even a 6B or even an 8B. The process is absolutely identical with respect to the positiv...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Watercolor Wildlife in Positive and Negative
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Category
Illustration -
Areas
Botanical Illustration, Drawing, Fine Arts, Naturalistic Illustration, Painting, Traditional illustration, Watercolor Painting

Silvia Molinari
A course by Silvia Molinari
Silvia Molinari is a painter who loves portraying the flora and fauna of nature in her art. She began dabbling in watercolors in her youth, shortly before enrolling in the art institute, and has continued to hone her technique ever since.
Throughout her career, she has displayed her work in both individual and group exhibits, including the Emilia Romagna section of the Venice Biennale, the Affordable Art Fair in New York and Milan, and at the Ginza 1-Chome gallery in Tokyo. She regularly collaborates with magazines, organizations, and non-profits such as Gardenia Magazine and Lipu (Lega italiana protezione uccelli). She has also illustrated children's books for the publishers Edizioni Corsare and Topipittori and has been running watercolor seminars and courses since 2008.
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