Watercolor Wildlife in Positive and Negative
Course final project
A course by Silvia Molinari , Painter
About the final project for: Watercolor Wildlife in Positive and Negative
Watercolor Wildlife in Positive and Negative
“During the lessons I taught you all the secrets to paint a perfect diptych, now it's your turn! Follow these basic steps to complete your project. Don't just copy my example, but experiment and invent something new. In this way, you will learn to independently apply the techniques I taught you and you will have fun choosing the paper and colors you like best. First, find and gather information about the subject you want to paint. Knowing him well will help you represent him better! Observe it from life and consult the texts I have recommended to you. Then, choose your palette and prepare your colors . It is important to do color tests, preferably on pieces of paper of the same type on which you will paint: from paper to paper, in fact, the color rendering changes.



Partial transcription of the video
“Final project Hi, here we are at the end of this course. Thanks for following me. Now you know techniques and materials to face the portrait of your favorite birds. In this course I wanted to teach you the different watercolor techniques, but also to approach a subject from two different points of view, positively and negatively. I remind you that making a diptych is interesting and useful for two reasons: the first is technical and the second is aesthetic. You will be able to experiment by combining different solutions and then the aesthetic result will be particularly beautiful and unusua...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Watercolor Wildlife in Positive and Negative
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Category
Illustration -
Areas
Botanical Illustration, Drawing, Fine Arts, Naturalistic Illustration, Painting, Traditional illustration, Watercolor Painting

Silvia Molinari
A course by Silvia Molinari
Silvia Molinari is a painter who loves portraying the flora and fauna of nature in her art. She began dabbling in watercolors in her youth, shortly before enrolling in the art institute, and has continued to hone her technique ever since.
Throughout her career, she has displayed her work in both individual and group exhibits, including the Emilia Romagna section of the Venice Biennale, the Affordable Art Fair in New York and Milan, and at the Ginza 1-Chome gallery in Tokyo. She regularly collaborates with magazines, organizations, and non-profits such as Gardenia Magazine and Lipu (Lega italiana protezione uccelli). She has also illustrated children's books for the publishers Edizioni Corsare and Topipittori and has been running watercolor seminars and courses since 2008.
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